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from
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Spring 2005
by Jeanette Lynes
Id keep a magpie. Show it
largesse, let it
hop along my quilt, peck ticks from the nape of my neck.
Id sew it small bird bandannas, toss crumbs for it to fetch.
It would
appreciate me in the way only dark
birds can. Id admire its hues
writers-block white, graduation-robe black,
stunning teal sateen of a nineteen-forties dinner dress.
Over time, it might even
acquire speech.Wed discuss the fragility of the power grid.
Wed stockpile
sunflower seeds, candles. (I understood quickly enough its fetish
for the small, solitary flame.) Wed be happy.This would be
no dog and pony show, you understand.The magpie will want all
the things I want. Call it reciprocity
when it wriggles its funky knife-blade tail
Ill follow it anywhere. In the park, well rent a paddle
boat,
Pie at the helm
singing lake shanties. In spring,
when the mountains moult and their white
sides slide away, my magpie, now convinced beyond all doubt
Im too fine for this world, will waddle to a buttes
edge
to teach me to fly.
You can talk the talk, it will squawkcan
you wing the walk?
.FULL
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Volume28,
No 3
Winter 2001 |
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from
(page 22) by Kevin Armstrong
For me, an Albertan from the wide expanse of the praries, New Zealand
is a small place. Tell me, Mr. Stead, can a town with a few pleasant
acres be considered picturesque? Yes, Keri Keri has that pretty
little valley with the river, marin, and "New Zealand's oldest
stone building," but what else? One-level shopping plazas.
A store-lined main street. It was a strange point of pride for me
that in the week spent there with Mary, I never once set foot in
the Old Stone Store. After all, I'm a traveller, not a tourist.
FULL
DETAILS
Volume
26,
No 4
Spring 1999 |
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from
(page 68)
by Lee Henderson
Whose baby hands were soft and instinctive, clenching indiscriminately
around fingers lain in her palm, whose legs shot into the air like
sensitive feelers, probing and tasting the air of her crib; whose
stomach was as soft as kneaded dough and bare for a mouth to press
against and make loud raspberries; whose baby cry she never lost
even when she was six, crying when I forced her out of my room and
pinched her toe when slamming the door, crying when I told her she
was stupid, crying when I strangled her, and crying when I told
her I didnt like her; whose memory was idiot savantish, or photographic
at least, remembering things from when she was less than a year
old: the colour of the shirt I wore the first time she had a fever
and was taken to the doctor, the name of the dead barber that used
to cut my hair, before he died-who she had met once when she was
two; whose hair, as a baby, began to grow in leafy tufts from behind
her ears and turned long and flowing and the colour of bittersweet
chocolate, whose name for fear was "the Sheep"; whose
nightmares accosted us both because she insisted on sleeping in
my bedroom; whose first word at five months(!) was "Ben,"
my own name; whose favourite food was bananas; whose smell was always
slightly of bananas; whose constant reminder was that Ii didn't
like her, that i was as close to hating her as a brother could be,
that she was not wanted around me; whose own name was Christine,
is now long dead. FULL
DETAILS
Volume
16,
No 4
Winter 1988 |
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from
(page 24)
by John Gould
If I was a savage man I'd make this dream come true, lure some unsuspecting
Meg or Mimi up here and force her to play along. Not that that would
to any good, of course - she has to want it. Anyhow, I'm far from
savage. Obsessed maybe, even perverted, but not savage. I'd say
I'm about as gentle as any man who handles a monkey wrench all day
and himself all night could possibly be. FULL
DETAILS
Volume
7,
No 3
Winter 1979 |
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from (page
19)
by Lois Simmie
The room is very crowded with Amy's white iron bed against the wall
about two feet away from her parents' big bed, the dark dresser with
the round mirror against the wall by the windows, the tall matching
chest against the other wall. A foot or so above Amy's bed the wall
angles up, covered with large pink cabbage roses. Her parents' wedding
picture hangs by the window, and on the other side there is a picture
of a curly haired, rosy cheeked girl sitting under a tree with a basketful
of rabbits. One of the rabbits is nestled on her blue skirt which
is spread out on the grass. Amy doesn't remember them moving her bed
in here, but she likes this room, larger and sunnier than her own,
where her mother sleeps now. FULL
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